4/30/2023 0 Comments Paparazzi back officeHe discovered a starlet who would become a supernova. It was 1945 and he was in search of a morale-boosting shot of a pretty girl on a military production line. ‘An unwanted child who becomes the most wanted woman in the world and has to deal with all of the desire that is directed at her.’Īndrew is correct about this discordancy between who Marilyn once was and who she became after army photographer David Conover arrived at the California factory where the newly-wed 19-year-old Norma Jeane Dougherty was assembling remote-controlled target aircraft. 'It’s a tragedy,’ says Andrew Dominik of Marilyn’s trajectory. Look at other stars such as Elizabeth Taylor or Lady Gaga, we just don’t have the same feeling of elusiveness, of the mysterious feminine.’ She is radiant, luminous, but there is great melancholy. ‘There’s a mystery about her, a woundedness. Speaking from her home in Princeton, the writer reflects on why the world simply can’t let the icon go. Bobby Cannavale (seen recently in Martin Scorsese’s epic The Irishman) plays her second, baseball legend Joe DiMaggio.Īs well as writing Blonde at the turn of the millennium, Joyce Carol Oates’s latest collection of short stories, Night, Neon (Apollo, out now) also includes one inspired by Marilyn. Oscar-winner Adrien Brody ( The Pianist, Peaky Blinders, Succession) plays Marilyn’s third husband, the playwright Arthur Miller. Due to premiere at the Venice Film Festival in September, the film has Brad Pitt as a producer and is directed by his long-time collaborator Andrew Dominik. Nobody else should be seen in it,’ was Bob’s withering verdict.īut it’s Blonde which is causing a new spike in Marilyn mania. That same month, the nude Bob Mackie evening dress which Marilyn wore to sing Happy Birthday to JFK at Madison Square Garden in May 1962 (embellished with 6,000 sparkling crystals and so tight she had to be stitched into it sans underwear) reappeared on Kim Kardashian at the Met Gala. She is radiant, luminous, but there is great melancholy’ The sale of the 40 x 40 inch artwork took just four minutes of frenzied bidding. Then there’s a compelling new Netflix documentary, The Mystery of Marilyn Monroe: The Unheard Tapes, in which journalist Anthony Summers asks if Marilyn’s lonely death was suicide or an assassination, linked to romances with President John F Kennedy and his brother Bobby, America’s Attorney General.Ī second new documentary, Marilyn, Her Final Secret, believes it has finally identified her father, whom she never knew and whose abandonment defined her life, using a lock of her hair taken by an embalmer.Īnd as for Marilyn’s cross-cultural legacy, Andy Warhol’s portrait of her, Shot Sage Blue Marilyn, became the most expensive piece of 20th-century art ever when it was sold for £158m at Christie’s in New York in May. You identify with her, it’s intimate film-making. I had to stop watching it and start again because it’s so stressful emotionally. The grande dame of American literature, Joyce Carol Oates, 83, who wrote the epic novel on which it is based, is one of the few who has seen it so far. I’ve always known it was fickle’ – is still vividly alive on our cinema and TV screens, in art and in popular culture.Ī major new biopic, Blonde, starring No Time to Die actor Ana de Armas, due out on Netflix this autumn, is already being tipped as an Oscar contender. The woman whose final interview, with Life magazine, was about the transience of fame – ‘fame will go by, and, so long, I’ve had you fame. This year, 60 years after her death overnight between the 4 and 5 August 1962 at the age of 36, Marilyn’s mystique is as potent as ever. ’ But, thanks to the iconography of the flying white skirt and many other great Monroe moments, she has become immortal. Her publicist Roy Craft would later recall: ‘The Russians could have invaded Manhattan and nobody would have taken any notice.’Ī few days later the actor would tell newsmen: ‘I’m just a pretty girl who’s soon forgotten. Thousands of fans, penned behind crush barriers, had stayed up all night just to catch a glimpse of her. As she straddled a subway grate and let the updraft of air billow the skirt of her white georgette Billy Travilla gown sky-high, movie history was made. At the corner of Lexington and 52nd Street, Marilyn Monroe, outside the Trans-Lux movie theatre, was shooting a scene for The Seven Year Itch, released the following year. It was 1am on a sultry September night in New York in 1954.
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